Whether a beginner or advanced Slate Digital VCC user, or you’re just looking to see what a console plug-in could do for your tracks, watch “VCC 2. Marcus wraps it up with a tutorial on creative uses for VCC 2 using a bass guitar track as his example. Then Marcus returns to the plug-in, exploring the Noise Reduction, Group Bypass, and Gain Staging in VCC 2. When combined with this hyper-pure signal, your VMS plug-in module will re-create iconic recording chains that most engineers can only dream of getting their hands on. Since one of VCC’s strength is it’s ability to be recalled by your DAW, he shows you how to store default settings in Pro Tools. Tailor-made for Slates ML-1 microphone, the VMS-ONE boasts state-of-the-art amplifiers that give you the most linear, transparent signal possible. From there, Marcus jumps right into using VCC 2 in a Mix, using different consoles and grouping options.
Marcus begins with an overview of the new GUI, comparing it to the previous GUI, and then explains the various Meter Calibration options new to VCC 2.0. Zuzu guitar on Zuzu neck humbucker and Porter bridge humbucker, through Carr Vincent 1x12 combo: volume 8 o’clock, treble 2 o’clock, mid boost mode, bass 9 o’clock, reverb 10 o’clock, drive 10 o’clock, 33W. Super easy to use even if you don’t know chords and scales. Create breathtaking arrangements with Groups. MetaTune hits harder than other tuners by letting you dive into negative retuning speeds. Slate Digital puts 6 classic analog consoles in your DAW, and studio guru Marcus Huyskens shows you how to use them! This series explores the significant difference between VCC 2.0 and the previous version, and how to make the most of the new plug-in version. Lead Synth Mode, Oct Lead 1 settingall dials at noon except guitar level at 63 and effect level at 30. And this is where you activate MetaTune’s built-in Doubler for a bigger, wider sound.
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